Ah, got it — you're quoting GehGeh, a blogger likely trying to stir conversation or provoke hot takes around Olamide’s latest album.
This kind of statement:
> “This new Olamide album really exposed who Asake is, he was actually a hindrance and a bârrier to Olamide’s career.”
…is classic blogger bait — meant to trend, rile fans, and spark debates on X (Twitter) or Instagram. It’s less about facts and more about narrative spinning.
But let’s be clear:
Asake didn’t block Olamide’s growth — if anything, he was a vessel through which Olamide showed his continued relevance, vision, and dominance in the ever-evolving afrobeats and street-pop landscape. Olamide, as a boss and collaborator, put Asake on the map under YBNL/Empire — and both gained.
This new album from Olamide is likely just showing his matured artistry, his solo brilliance, and a possible pivot back to being in the full limelight — but that doesn’t mean Asake was in the way.
So, GehGeh? He's playing the "controversial blogger card." Cl
assic strategy.
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